Here is the beginning of my post. And here is the rest of it.Film: “Ek Vivaah… Aisa Bhi”; Cast: Sonu Sood, Eesha Koppikhar, Alok Nath, Smita Jaykar, Vishal Malhotra; Director: Kaushik Ghatak; Rating: * 1/2
Nobility as a quality in cinema seems almost the hallmark of Sooraj Barjatya’s cinema. Specially during these times of stress cynicism and violence, any film that doesn’t belch out venomous fumes is worthy of applause. But wait. Before we cheer “Ek Vivaah… Aisa Bhi” for walking the straight and narrow road, let’s be warned. The route taken by the narration looks like a tepid and technically shoddy facsimile of Anil Ganguly’s “Tapasya”, which was produced by Barjatya, and more recently, the Barjatya-directed “Vivah” that won extra points for its elegant and fluent simplicity of narration.
Director Kaushik Ghatak takes us through Barjatya’s joint-family system. Yes, even the infamous ‘gaajar ka halwa’ (sweet dish made out of shredded carrot) makes its mouth-watering appearance during the first wedding that rolls out at the start.
Yup, the film begins and ends with elaborate weddings replete with the whole cast plus sundry junior artists dressed in garish pinks, mauves and greens prancing to the sound of festivities.
But somewhere this prolonged music-video ‘Vivaah…’ lacks the graceful zing of the other Shahid Kapur-Amrita Rao film two years ago which had enough meals and morning walks to make our digestive system feel balanced out.
“Ek Vivaah…” is lopsided in its fervent festivity. The first-half where a romance grows between two small town singers Sonu Sood and Eesha Koppikhar creaks with monotonous semi-classical songs.
The music composed by Ravindra Jain is simply awful. Jain had done …
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